Lamb Chops and Mustard Greens

Something about lamb just screams marinade. You don’t have to, it’s perfectly fine cooked straight up with some Tony’s and black pepper on the grill, but sometimes it’s fun to let something sit overnight–if only for the antici…..pation. I picked up the chops at Whole Foods along with some roasted garlic and roasted red peppers from their olive bar. Cut some basil and green onion and rosemary from my herb garden and hit it with some roasted garlic olive oil before shaking it up and parking it in the fridge. Every few hours I’d open it up and flip the chops. I think the buildup alone made them taste better.

I got the inspiration for the mustard greens from the collard greens I had when I visited Chicken Shack on N Acadian. Greens are great for the weekend because you can toss them in the slow cooker early with a nice ham hock, chopped red onion, and chicken or beef broth and let them roll all day. Once you’ve got them going, it’ s very clear why they’re called mustard greens. I kept looking around for the Lucky Dog cart. Here’s a shot of the star of every slow cooker show.

These are so fantastic when the greens or beans are done. It reminds me of the marrow bone Dad would share when my mom would make fried roundsteak cutlets. Best part, he’d say, and smear the marrow over a piece of buttered white bread and give me half. Little things like that never go away. I think we probably hold onto those memories all the way to the end. Seems like you’d forget your name before you’d lose the marrow on white bread. Here’s a poem I wrote quite a few years ago that kind of goes there.

Emmalina

How she must have loved them

those last years of her life,

the one she called Cheyenne,

the plume of her tail above her,

her child eyes, huge, fearless,

the way she gobbled her food

then chased the others away

And Samuel, Sammy, the king,

his shoulders bunched for a leap

across the long green lawn

When he fought, he reminded her

of Cassius Clay, it was always over,

the other tom slinking way, unhurt,

damaged only in pride before she,

with difficulty, could get up,

pull her body from the concrete step

that seemed to want her always there,

just so, like a marble of her,

watching the strays circle tins of tuna,

watching the sky as the ink of a storm

spread into familiar shapes

Thomas had been dead five years

before Cassius Clay refused Vietnam,

but she knows what he would have said

Now there walks a man, Emelina,

there walks a man

He knew courage, her Thomas,

and there were very few men

he would say such a thing about

Thomas would have appreciated Romeo

who always walked alone, came

only when the others were done

to rub his ear against her shoe

As far as she knew she alone

had ever run her nails along his spine

stopping at the base of his tail

with a few quick spanks

as his head dug harder against her

Thomas would come home late,

sometimes three, four o’ clock,

carry his shoes to keep from waking her

although she always woke as soon

as he keyed the lock but she could not

would not let on how well she heard

for fear of missing something, in fact,

she played at being hard of hearing,

a small deceit, but necessary

because Thomas would talk to himself

just under his breath, rehearse,

several times, what he wanted to say,

to get it just right, to be perfectly clear

and she never wanted to miss a word

that came from those lips, angry,

exasperated, serious, smiling, his mouth,

it had always been his mouth, his hands,

the rough brown backs, the stiff coarse hair,

the white lines of nicks and gouges

collected over time like sins

She must fight to stand up,

pull herself from this stone step,

more possessive than any mother,

this step that wants to own her,

rise above her head like a lion

that has eaten well and needs sleep

In her housecoat is Pico’s string

but she pauses, trapped for a moment

by the back of her hand, the blue

that had once been in her eyes

has spilled in long knots

against the calico of her skin

Her hand looks like Cheyenne,

her blue gray bruises, the liver spots,

the ghostly white like that plume of tail,

erect, reaching out to the clouds

If her hands could only run and dance

She slaps the back of one hand with the other,

an odd gesture, one of many that has led

the students that pass her house to say

There, there she is—crazy old cat woman

Back and forth, the students,

to the university, its bars and classrooms,

its clear pools of light blinking on and off

between the live oaks

she loves mostly

for being older than she is

She slaps her hand because although

she will allow herself some vices

she will not permit if only’s

Pico, pico de gallo, the acrobat

launching himself after the string,

turning like a question in mid-air

Cats would love the moon

they may not need to breathe

maybe they only want to fool us

into thinking they are like us

They would love the sun directly

the rocks, the caves, they would miss

lizards leaping surely along ligustrums

Pico, double somersault, Pico

finished with fun, walking away

taking the sun with him

Thomas would lay his captain’s cap,

his badge, the eight battery flashlight

he carried instead of a gun, his watch

and wallet side by side on the table

before creeping tiptoe from the kitchen

to the bathroom where he undressed,

folded his uniform before placing it

carefully in the hamper, and she,

biting her tongue not to laugh,

would swear to herself never, ever,

to tell him how silly it was

to fold dirty clothes

She has more and more trouble

noticing the mosquitoes even when

they swarm her like pigeons

Thomas beneath a lamp reading,

moving his lips, a moth, a fluttering halo

about his head and she would hear

Let us go then you and I

then later, and this her saddest memory,

for he never failed but always

half-spoke the line when he came to it

I do not think that they will sing to me

He never got comfortable with her body,

every time was awkward, shy,

and that is why,

although her body still wants, needs

she has never, cannot bring herself

to take another man

The students cannot fathom this,

the young with their awful hungers,

cannot, will not,

and when she really thinks about it,

have no way of understanding

that sense of completion, something,

though not perfect, something

done as surely and well as you, yourself

believe that you could ever possibly do it

That feeling isn’t as easy to give up as virginity

Or this step, this damn stone stoop

that drags her deeper into every evening

One last time, Emelina, up we go

Hers is the room at the top of the stairs